New 3D analysis reveals that the Shroud of Turin, the cloth many claim once covered Jesus’ body, could not have formed its image on an actual human figure. Instead, it resembles an imprint made over a low-relief sculpture, this according to recent research.
The study, published on July 28 in the journal Archaeometry, was conducted by Cícero Moraes, a Brazilian 3D digital designer known for his work in historical facial reconstructions. Moraes used advanced modeling software to compare how fabric drapes over a real human body versus a sculpted relief. The results show significant inconsistencies between the image on the Shroud and how cloth behaves on a three-dimensional form, suggesting the famous relic is unlikely to be a direct burial imprint of a person.
Whether or not an artifact holding the image of Jesus still exists is a matter of hot debate. The Shroud of Turin is a controversial linen, first unveiled in the 1380s when it was presented as the material used to wrap the body of Christ following his crucifixion. Its existence was first recorded in the year 1359 while in the possession of the famed knight Geoffroi de Charny, the seigneur de Lirey. It was denounced as fake by the Bishop of Troyes when first exhibited and has been a topic of dispute for centuries since.
While scientific investigations continue to offer conflicting insights, the Shroud remains one of the most studied religious artifacts in history.
Intrigued? Click on to discover more about the fascinating story of the Shroud of Turin.